
After watching it yesterday, the film is best summed up as a ludicrously thrilling adventure, bent towards complete and utter craziness. The B-grade romance feels tacked on, while everything else is flawlessly Bay.
The script, if you could call it that, takes a backseat to the huge array of new robots in this film, as director Bay turns up the action quotient up to 11. More robot characters from the original cartoon series turn up, theres a pleasant homage to the original Transformers film of 1984 and of course, there is no shortage of visual eye candy: the CGI rendering is a big step-up from the last film and it seamlessly blends from one shot to another.
The pounding relentless ferocity of the action gets so much at times, that our heads started to hurt. And this comes at the expense of a better story and characters unfortunately.
With Megatron (Hugo Weaving) buried beneath the ocean and the allspark in a secured location, Earth is safe for the time being. The autobots, led by Optimus Prime (Peter Cullen), now fight alongside the American military (Josh Duhamel, Tyrese Gibson included) combating remaining Decepticons hiding out on Earth. While cleaning up in Shanghai, Optimus is told by a dying Decepticon that the Fallen will rise again. It doesn't mean a whole lot, but it's enough to put everyone on alert. Meanwhile, Sam (Shia LeBeouf) is heading to college, his hero status an annoyance to him now, as is his guardian Bumblebee. Then again his girlfriend is Mikaela (Megan Fox) so life ain't all bad. But as Optimus so nobley says, "fate rarely calls upon us at a moment of our choosing." Sam begins to see cyber code to the point where he has a mental breakdown. Mikaela comes to Sam's aid but what they don't know is that Megatron has been brought back to life and he is now reunited with his master, the Fallen (Tony Todd). They invade Earth, demanding that Sam surrender to them, for the code he sees will lead the Fallen to a machine that blows up the sun while renewing life on the Decepticon planet. Of course Sam, Mikaela, and the rest have to stop that from happening.
What helps this time around though is more Megatron. He's a ferocious villain who rightfully deserves more screen time. However, one wonders why so little screen time for most of the other autobots. Other than Optimus and Bumblebee, the rest only have brief moments in battle scenes, except for the Twins, Mudflap and Skids, who sound like Katt Williams and are probably the most annoying comic relief since Jar Jar Binks. Most other robots are mainly used for exposition; a long-winded detailing of the machine is just one of many overly talky scenes. Just show us the special effects, which stand as some of the most technically superior I've ever seen. Slicker, bigger, and badder, just looking at these magnificent robots brings out the kid in me. It's here that the movie is really inspired, as different types of robots fill the screen. Cougars, sattelites, preying mantis, and one that looks very similar to the alien in "Species." From a design stand-point, this is awesome.
There's no question that the movie achieves its primitive aim — an overwhelming vision of technological supremacy — nor that this vision has been executed with astonishing audio-visual sophistication by legions of technicians, designers, animators and crew.
But when the lights go up, and you stagger back to reality, all that remains is a vague sense of having been relentlessly stimulated for close to three hours, as if by a low-grade electrical shock.



